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Series I: Keyboard Music

I/1: “Prussian” and “Württemberg” Sonatas

I/3: “Probestücke,” “Leichte” and “Damen” Sonatas

I/4.1: “Kenner und Liebhaber” Collections I

I/4.2: “Kenner und Liebhaber” Collections II

I/5.1: Miscellaneous Sonatas from Prints I

I/5.2: Miscellaneous Sonatas from Prints II

I/6.4: Sonatas from Manuscript Sources IV

I/7: Variations

I/8.1: Miscellaneous Keyboard Works I

I/8.2: Miscellaneous Keyboard Works II

I/9: Organ Works

I/10.1: Arrangements of Orchestral Works I

I/10.2: Arrangements of Orchestral Works II


Series II: Chamber Music

II/1: Solo Sonatas

II/2.1: Trio Sonatas I

II/2.2: Trio Sonatas II

II/3.1: Keyboard Trios I

II/3.2: Keyboard Trios II

II/4: Accompanied Sonatas

II/5: Quartets and Miscellaneous Chamber Music


Series III: Orchestral Music

III/1: Berlin Symphonies

III/2: Six Symphonies for Baron van Swieten

III/3: Orchester-Sinfonien mit zwölf obligaten Stimmen

III/4.1: Flute Concertos I

III/4.2: Flute Concertos II

III/5: Oboe Concertos

III/6: Violoncello Concertos

III/7: Keyboard Concertos from Prints

III/8: Sei concerti per il cembalo concertanto

III/9.1: Keyboard Concertos from Manuscript Sources I

III/9.2: Keyboard Concertos from Manuscript Sources II

III/9.3: Keyboard Concertos from Manuscript Sources III

III/9.4: Keyboard Concertos from Manuscript Sources IV

III/9.5: Keyboard Concertos from Manuscript Sources V

III/9.6: Keyboard Concertos from Manuscript Sources VI

III/9.8: Keyboard Concertos from Manuscript Sources VIII

III/9.9: Keyboard Concertos from Manuscript Sources IX

III/9.13: Keyboard Concertos from Manuscript Sources XIII

III/9.14: Keyboard Concertos from Manuscript Sources XIV

III/9.15: Keyboard Concertos from Manuscript Sources XV

III/11: Keyboard Sonatinas from Prints

III/12.1: Keyboard Sonatinas from Manuscript Sources I

III/12.2: Keyboard Sonatinas from Manuscript Sources II


Series IV: Oratorios and Passions

IV/1: Die Israeliten in der Wüste

IV/4.1: Passion according to St. Matthew (1769)

IV/4.2: Passion according to St. Matthew (1773)

IV/4.3: Passion according to St. Matthew (1777)

IV/5.1: Passion according to St. Mark (1770)

IV/5.2: Passion according to St. Mark (1774)

IV/5.3: Passion according to St. Mark (1778)

IV/6.1: Passion according to St. Luke (1771)

IV/6.2: Passion according to St. Luke (1775)

IV/6.3: Passion according to St. Luke (1779)

IV/7.1: Passion according to St. John (1772)

IV/7.2: Passion according to St. John (1776)

IV/7.3: Passion according to St. John (1780)


Series V: Choral Music

V/1.1: Magnificat (Berlin Version)

V/1.2: Magnificat (Hamburg Version)

V/2.1: Quartalstücke I

V/3.1: Einführungsmusiken I

V/3.2: Einführungsmusiken II

V/3.3: Einführungsmusiken III

V/3.4: Einführungsmusiken IV

V/3.5: Einführungsmusiken V

V/5.1: Works for Special Occasions I

V/5.2: Works for Special Occasions II

V/6.1: Miscellaneous Sacred Works I


Series VI: Songs and Vocal Chamber Music

VI/1: Gellert Songs

VI/2: Cramer and Sturm Songs

VI/3: Miscellaneous Songs

VI/4: Arias and Chamber Cantatas


Series VII: Theoretical Writings

VII/1–3: Versuch über die wahre Art das Clavier zu spielen


Series VIII: Supplement

VIII/2: The Polyhymnia Portfolio

VIII/3.1: Librettos I. Passions

VIII/3.2: Librettos II. Installation Cantatas

VIII/3.3: Librettos III. Oratorios, Cantatas, and Other Works

VIII/4: Portrait Collection


Facsimile Supplements

Series I: Keyboard Sonatas in Mus. ms. Bach P 771

Series II: Quartets for Keyboard, Flute, and Viola, Wq 94–95

Series III: Symphonies for Baron van Swieten, Wq 182/2–6

Series III: Flute Concerto in G Major, Wq 169

Series III: Keyboard Concerto in E Minor, Wq 15

Series V: Magnificat

Series V: Ich bin vergnügt mit meinem Stande

Series V: Double-choir Heilig, Wq 217

Series VII: Exempel nebst achtzehn Probe-Stücke in sechs Sonaten mit sechs neuen Clavier-Stücken

Series VIII: C.P.E. Bach’s Nachlaß Verzeichnis (1790)